| 1. | The plate shall be made of reflex - reflecting material
该字牌样本如下图所示： |
| 2. | Zhejiang haoshijia reflecting material co . , ltd
浙江好视佳反光材料有限公司 |
| 3. | Study on a new kind of marine acoustic reflecting material
一种新型水声反声材料的研究 |
| 4. | Retro - reflecting materials for traffic safety ; photometric minimum requirements for retro - reflective sheetings for traffic signs
交通安全用反光材料.交通标志用反光片的光度最低要求 |
| 5. | It is the professional solution when high - quality visualization of metal , chrome , glass or any other reflecting material is required
其中有高品质的金属、铬、玻璃等各种所需反射的材质的贴图。 |
| 6. | Retro - reflecting materials for traffic safety ; photometric evaluation , measurement and characterization of retroreflectors and retro - reflecting sheetings
交通安全用反光材料.反光器和反光片的光度评价测量 |
| 7. | To accurately predict forming limit , a criterion to reflect material performance in essence was indispensable besides increasing the fea model accuracy
为了准确地预测成形极限，除了提高有限元模拟精度外，应找到一种本质地反映材料性能的韧性断裂准则。 |
| 8. | The other - type female writing , which appeared at the end of 20th century , bragging about keeping a record of events of the new mankind and pointing to fashion , mainly described the different class life style of contemporary young people , and showed the young and the middle aged monobasic existence state of shanghai , guangzhou , etc ; and to a certain extent , reflected material , spirit and culture state at end of the century of our country under the linguistic context of globalization
摘要“另类”女性创作产生于二十世纪末，以“新人类记事”为标榜，以“前卫”为指向，主要描写了当代青年“另类”生活方式，展示了当代上海、广州等大都市中青年一代的生存状态，在一定程度上反映了全球化语境下我国大都市世纪末的物质、精神和文化状况。 |
| 9. | Traditional western aesthetics is particular about two devidings - ideal and material , different sects of aesthetic in different historical eras laid emphasis on pursuing the relation between ideal and material as well as how meal reflects material , till the twentieth century , did western aesthetic community form general attention to the tendency of the mixture between ideal and material
摘要传统西方美学讲究“心物”两分法，各历史时期的各派美学都重在探求“心物”之间的关系以及“心”如何观照、反映“物” ，直至20世纪，西方美学界才形成对“心物”交融美学问题普通关注的倾向。 |
